From 1987 to 2008, in conjunction with our Venice Galas, Save Venice published the journal series Studies in Venetian Art and Conservation, which included articles written by experts from Save Venice’s own Projects Committee, and historians and art historians from the local Venice branch of the Italian Ministry of Culture. This series was distributed to more than 500 museums, foundations, libraries, colleges, and universities throughout North America and Europe, and has become a resource for students and researchers. Over the years, Save Venice has also sponsored research projects, organized scholarly panels, and funded the publication of several books and academic articles focusing on conservation and art history. Digital excerpts are available for selected essays and articles.

CONFRATERNITAS: SOCIETY FOR CONFRATERNITY STUDIES

• Carpaccio’s Original Painting Installation in the Scuola Dalmata: Where and Why — Valentina Piovan, Stefania Randazzo, Melissa Conn
• Standing in the Threshold: Carpaccio’s Calling of Saint Matthew Reconsidered — Gabriele Matino

STUDIES IN VENETIAN ART AND CONSERVATION

• San Sebastiano: The Church of Paolo Veronese — David Rosand
• Veronese’s Esther — Mary E Frank
• Sebastian a Saint for Venice — Frederick Ilchman
• Saint Jerome and His Order — Sonia H. Evers
• Veronese’s Establishment in Venice 1553-1560 — W.R. Rearick
• Veronese’s Patrons — Patricia Fortini Brown
• Venice in the Age of Veronese — Theodore K. Rabb
• The Conservation of San Sebastiano — Amalia Donatella Basso

STUDIES IN VENETIAN ART AND CONSERVATION

• Correr Museum Paintings Restored in Honor of Professor W.R. Rearick — Attilia Dorigato
• Sacristy Frescoes in the Church of San Salvador — Annalisa Bristot
• Two Altarpieces of John the Baptist by Jacopo Tintoretto — Frederick Ilchman
• The Restoration of the Façade of the Scuola Dalmata — Emanuela Zucchetta
• Save Venice’s Conservation of Tiepolo Drawings in the Correr Museum — Attilia Dorigato
• The Poetics of the Line: Giambattista Tiepolo’s Calligraphy Beyond Representation — Johanna Fassl

STUDIES IN VENETIAN ART AND CONSERVATION

• Some Family Chapels in Renaissance Venice — Ralph Lieberman
• Pordenone’s Saints Martin and Christopher: a Difficult Restoration for a Difficult Artist — W.R. Rearick
• The Scola Grande Tedesca: a Synagogue’s Return — Joshua Holo
• The Conservation of Cima’s Altarpiece in the Church of the Madonna dell’Orto — Frederick Ilchman
• The Annunciation by Marco Romano — Fulvio Zuliani
• The Lando Chapel in San Pietro di Castello — Claudia Kryza-Gersch
• Giandomenico Tiepolo’s Frescoes at the Villa Zianigo — Adriano Mariuz

STUDIES IN VENETIAN ART AND CONSERVATION

• Badoer Giustinian Chapel in the Church of San Francesco della Vigna Restored in Memory of John and Betty McAndrew — Beatrice H. Guthrie and Toto Bergamo-Rossi
• The Rediscovery of Carpaccio’s “Supper at Emmaus” Dated 1513, in the Church of San Salvador — W.R. Rearick
• The Restoration of the Old Jewish Cemetery on the Lido, one of Europe’s Oldest and Italy’s Foremost, Founded in 1386 — Cesare Vivante
• Titian’s “Transfiguration” and its 16C Marble Altar and Statue of Christ in the Church of San Salvador — W.R. Rearick
• Save Venice’s Next Major Project: The Renaissance Façade of the Scuola Grande di San Marco — Matteo Ceriana
• Restorations of the Late-16C Brussels Tapestries on the Deeds of Scipio Africanus for the Giorgio Cini Foundation — Frederick Ilchman
• “The Madonna of Humility” in the Church of San Francesco della Vigna: An Early-15C Masterpiece — Sandro Sponza

STUDIES IN VENETIAN ART AND CONSERVATION

• The Restoration of Santa Maria dei Miracoli: Begun 1987 Completed 1997 — Barbara Lazear Ascher
• The Coronation of the Virgin by Giovanni d’Alemagna and Antonio Vivarini in San Pantalon — W.R. Rearick
• Orazio Baglioni’s Equestrian Monument in SS. Giovanni e Paolo — Claudia Kryza-Gersch
• Restoration Funded by Save Venice in San Giovanni in Bragora — Alessandro Sponza
• Three 15C Sculptures by Pietro Lombardo and Assistants in the Church of Santo Stefano — Wendy Stedman Sheard
• St. John the Baptist by Giovanni Maria Mosca in Santo Stefano — Wendy Stedman Sheard
• Gran Teatro La Fenice: Will it Rise Once More from its Ashes? — Randolph H. Guthrie and Garry Wills
• Prefect Presides over Efforts to Restore Teatro La Fenice “as it was, where it was” — Giovanni Troiani

STUDIES IN VENETIAN ART AND CONSERVATION

• Santa Maria dei Miracoli: A Miracle of Restoration — Randolph H. Guthrie
• Restoration of Polyptych of Saint Vincent Ferrer in Santi Giovanni e Paolo — W.R. Rearick
• The Polyptych of Conversano by Bartolomeo Vivarini in the Accademia — Sonia H. Evers
• Francesco Vecellio’s Organ Door Shutters in San Salvador — Ettore Merkel
• The Annunciation Altarpiece by Jacopo Tintoretto in the Church of San Rocco Restored — W.R. Rearick
• The Pala Feriale by Paolo Veneziano — Rona Goffen
• The Equestrian Statue of Fra Leonardo da Prato and its Predecessors in Renaissance Venice Andrew — Butterfield

STUDIES IN VENETIAN ART AND CONSERVATION

• Titian’s Altarpiece of St. Nicholas of Bari — Patricia Meilman
• The “Pillars of Acre”: Masterpieces of A Proud Sixth-Century — Fulvio Zuliani
• From High Gothic to Early Renaissance: Four Transitional Venetian Altarpieces — Sonia H. Evers
• Protecting the Treasures in the Sacristies of Venice’s Churches: How and Why They are Being Saved — Fiorella Spadavecchia

STUDIES IN VENETIAN ART AND CONSERVATION

• The Annunciation by Titian in the Church of San Salvador — Sydney J. Freedberg
• Teatro La Fenice: A Brief History of the Theater and its Historic Stage Curtain — Giandomenico Romanelli
• St. Nicholas of Bari in Glory with Saints John the Baptist and Lucy by Lorenzo Lotto — Everett Fahy
• Pietro Nacchini’s Organ in the Basilica of San Giorgio Maggiore — Father Pellegrino Ernetti, O.S.B.

STUDIES IN VENETIAN ART AND CONSERVATION

• Cima da Conegliano’s Baptism of Christ — Everett Fahy
• Pilot Projects in Restoration: The Role of Save Venice — Wolfgang Wolters
• San Salvador Restored — Ettore Merkel
• The Saint Peter Martyr Altarpiece in SS. Giovanni e Paolo — David Rosand
• Santa Maria dei Miracoli: Preliminary Work Begins — Mario Piana
• Paolo Veronese’s Altarpiece of Saint Jerome Penitent — Analisa Perissa Torrini

STUDIES IN VENETIAN ART AND CONSERVATION

• The Role of Save Venice — Francesco Valcanover
• Santa Maria dei Miracoli — John McAndrew
• Art, Love and Business in the Palazzo Pisani Moretta — Ileanna Chiappini di Sorio