Presented by Dr. Emily L. Spratt
From Venice’s origins to its demise, Byzantium played a significant role in the Republic’s artistic and cultural identity. While the enduring strength of this relationship is evident in Venice’s foundation narratives, civic rituals, and diplomacy, in art and architecture the visual stamp of the complex cultural exchange between the empires is profound. From the construction of San Marco to the quincunx centralized planned churches designed by Mauro Codussi modeled after Byzantine precedents in architecture, to the pervasive influence of icons and mosaics on Venetian art and the re-appropriation of Byzantine spolia across mediums, the interaction between the cultures is apparent, yet is defiant of a singular characterization. Indeed, multiple instances of Venice’s Byzantine and Byzantinizing influences in art may be observed throughout the Serenissima’s history, reflecting different aspects of the empires’ interactions. In this presentation, beginning with the Byzantine revival in Venetian art of the fifteenth century through the example of Giovanni Bellini’s icon-emulating Madonnas, the pervasive presence of icons from Byzantium—and, after the empire’s political collapse, from the former Byzantine territories in the Stato da Mar—will be discussed as agents of faith, identity, and mercantilism traversing empires and worlds beyond.
Emily L. Spratt is a Byzantine and Renaissance–Baroque art historian with specialization in Venice, Byzantium, and the early modern Mediterranean world. Spratt completed her Ph.D. in the Department of Art and Archaeology at Princeton University under Professor Patricia Fortini Brown and Professor Slobodan Ćurčić and wrote her thesis on the artistic and cultural legacy of Byzantium. Spratt also holds an M.A. from Princeton in Renaissance art, an M.A. in Byzantine art from the University of California, Los Angeles, and a B.A. from Cornell University. As a Post-Doctoral Fellow at Columbia University, Spratt’s current research also incorporates contemporary approaches to the image with emerging computer vision-based technologies, and the bourgeoning ethics discourse in this domain. Spratt has been the recipient of numerous fellowships and awards, including those from the Gladys Krieble Delmas Foundation, the Cini Foundation, the Cyprus American Archaeological Research Institution, the American Research Center in Sofia, the Hellenic Ministry of Culture, and The Frick Collection and Art Reference Library. Also a consultant in the arts, cultural heritage and preservation management, and the technology sector, Spratt advises Iconem (Paris), the Artificial Intelligence Finance Institute (New York), The Frick (New York), Exponential Impact (Colorado), and the Defense Innovation Accelerator that is a part of the National Security Innovation Network (Washington, D.C.).
*Offered exclusively to current Save Venice Members.
133 East 58th Street, Suite 501
New York, NY 10022
Palazzo Contarini Polignac
Dorsoduro 870 30123 Venice, Italy
The Rosand Library & Study Center is accessible by appointment.
133 East 58th Street, Suite 501
New York, NY 10022
Palazzo Contarini Polignac
Dorsoduro 870 30123 Venice, Italy
The Rosand Library & Study Center is accessible by appointment.