History & Preservation

Wooden Ceiling of the Sala dell’Albergo in the Gallerie dell’Accademia

Alvise di Matteo Bianco | Gallerie dell’Accademia

Donors

Conservation funded by the Arthur Loeb Foundation; the Micky and Madeleine Arison Family Foundation; Richard K. Riess, Anne Fitzpatrick Cucchiaro and Stephen Cucchiaro, through the Boston Chapter of Save Venice Inc., and Thomas Schumacher and Matthew White.

History

The ornate polychromed and gilded ceiling of the Sala dell’Albergo is perhaps the most important ceiling of its kind to survive from the early Renaissance period in Venice. The central roundel depicting Christ as the Light of the World is believed to have been reused from an earlier Gothic ceiling, thought to have been carved by the Cozzi workshop. This high relief is surrounded with roundels of the Four Evangelists, Matthew, Mark, Luke, and John. These figures, executed between 1491 and 1494, are the finest examples of wooden sculpture in Venice from the late fifteenth century; they are attributed to Alvise di Matteo Bianco, who was a member of the confraternity of Santa Maria della Carità.

In 1497, the artist also created an elaborately inlaid wood intarsia door for the Sala dell’Albergo. Save Venice’s conservation campaign included the restoration of the carved ceiling, as well as the numerous decorative elements in wood— of particular importance is a small spiral wooden staircase that leads to an upper chamber above the boardroom that housed the Scuola’s archives.

Alvise di Matteo Bianco Wooden Ceiling of the Sala dell'Albergo
Alvise di Matteo Bianco, Wooden Ceiling, Sala dell'Albergo in the Gallerie dell'Accademia, After Conservation
Alvise di Matteo Bianco, Wooden Ceiling, Sala dell'Albergo in the Gallerie dell'Accademia, After Conservation
Alvise di Matteo Bianco, Detail of the Wooden Ceiling, Sala dell'Albergo in the Gallerie dell'Accademia, After Conservation

Conservation

The restoration of the painted wooden ceiling was led by Roberto Saccuman and his team and took place in the Sala dell’Albergo from 2010 to 2011. A special passageway was built in the room assuring that museum visitors could still pass through while work was underway on the ceiling above. The roundels of God the Father and Four Evangelists were removed from the ceiling for conservation and they were also featured in a special exhibition before being reinstalled in the ceiling in 2011.

For select projects, conservation dossiers in Italian containing limited textual and photographic documentation may be available for consultation by appointment at the Venice office of Save Venice and the Rosand Library & Study Center. For inquiries, please contact us at venice@savevenice.org.

Sala dell'Albergo Ceiling in the Gallerie dell'Accademia During Conservation
Sala dell'Albergo Ceiling in the Gallerie dell'Accademia During Conservation
Roundel from the Sala dell'Albergo Ceiling in the Gallerie dell'Accademia During Conservation
Roundel from the Sala dell'Albergo Ceiling in the Gallerie dell'Accademia During Conservation
Sala dell Albergo Ceiling Roundel Exhibition 2011
The restored ceiling roundels were featured in a special exhibition in the Gallerie dell'Accademia in 2011.
Ceiling Roundel of Saint Mark from the Sala dell'Albergo in the Gallerie dell'Accademia
The restored Ceiling Roundel of Saint Mark the Evangelist from the Sala dell'Albergo in the Gallerie dell'Accademia

About the Artworks

Alvise di Matteo Bianco [attributed]
Ceiling
1491-94, wood and plaster with polychromy and gilding
82.3 sq m

New York Office

133 East 58th Street, Suite 501
New York, NY 10022

Venice Office

Palazzo Contarini Polignac
Dorsoduro 870 30123 Venice, Italy

Rosand Library & Study Center

The Rosand Library & Study Center is accessible by appointment.